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  • The Fender American Standard Series Stratocaster HSS is a perfect electric guitar for players who like big, fat humbucker tone. Redesigned with improvements that include the modern C-shaped maple neck with glossed neck front and satin polyurethane finish on back for smooth playability. Bent steel Fender saddles with classic look and great tone. String spacing narrowed for modern playability, saddle height screws re-sized to reduce rough feel, and string slot on saddle elongated to reduce string friction or breakage. Custom staggered tuning machines eliminate the need for one of the string trees. Staggered pole pieces in the pickups provide balanced output across all strings, and specifically improves the G-string's tone. Two-point trem, rosewood or maple fretboard, and genuine Fender American craftsmanship add up to a Fat Strat style guitar that is a dream come true.The return of the American Standard Series Strat continues Fender's tradition of commitment to the people who play Fender instruments out there in the real world. Today's American Standard Stratocaster guitars are worthy heirs of their revered ancestors-mindful of player needs and taking full advantage of modern advances, yet remaining completely true to the elements and spirit that made these instruments legendary in the first place. Improvements include redesigned bridges, neck and body finishes, and a Fender-exclusive high-tech molded case. Still there are the beloved hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for tone and stability guaranteed to last a lifetime (with its limited lifetime warranty)! So make history with the redesigned American Standard!Redesigned American Standard Strat® Bridge Gives sought-after tone with modern smooth trem travel. Block retains the mass and tone of a vintage bridge block, but is chamfered for access to deeper dives. Saddles have the classic look and tone, but with modern improvements (spacing, slot elongation, height screw length).Bridge Component Specifics American Standard' saddles- The original vintage-style Fender bent steel adjustable saddle is one of the components that give vintage Fenders their tonal mojo'. Fender conducted tone comparison tests, and fell in love with them all over again. They have a wider tonal range and more character many other saddles. Then Fender improved them; narrowing the spacing to afford more room (and complement the bigger frets and rolled edges), and also elongated the string slot to reduce friction and string breakage, while improving the string break angle over the primary contact point. Tone-fusion' block- A typical cast bridge block is impregnated with a resin to eliminate voids' in the material and to bond it together this steel block is infused with copper, which makes the block 100% homogeneous metal. The result is a more musical, higher mass bridge that has more of that machined-block sound. Fender was also able to keep the same Americ

    $999.99

    Details
  • • New bridge with improved bent-steel saddles for increased resonance and sustain • New tinted neck treatment for a richer look • Thinner finish undercoat lets the body breathe and improves resonance • New Fender-exclusive SKB molded case • Beautiful new finish options The Fender American Stratocaster Electric Guitar is a Fender icon. Juicy upgrades include a richer, deeper neck tint for a more elegant and expensive appearance. Glossed neck front for improved looks with satin back for smooth playability. Bent steel Fender saddles with classic look and great tone. String spacing narrowed for modern playability, saddle height screws re-sized to reduce rough feel, and string slot on saddle elongated to reduce string friction or breakage. Copper Infused Cast Strat® Bridge Block (steel with copper- 100% metal) for increased mass and improved tone. This Strat features the original headstock shape but has staggered machine heads losing one string tree and improving string angle over the nut. Custom staggered pickup magnets improve string-to-string balance and give the G-string better tone. Cosmetics include parchment/black/parchment pickguard and parchment pickup covers, knobs, and tips.The return of the American Standard Series Strat continues Fender's tradition of commitment to the people who play Fender instruments out there in the real world. Today's American Standard Stratocaster guitars are worthy heirs of their revered ancestors-mindful of player needs and taking full advantage of modern advances, yet remaining completely true to the elements and spirit that made these instruments legendary in the first place. Improvements include redesigned bridges, neck and body finishes, and a Fender-exclusive high-tech molded case. Still there are the beloved hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for tone and stability guaranteed to last a lifetime (with its limited lifetime warranty)! So make history with the redesigned American Standard!Redesigned American Standard Strat® Bridge Gives sought-after tone with modern smooth trem travel. Block retains the mass and tone of a vintage bridge block, but is chamfered for access to deeper dives. Saddles have the classic look and tone, but with modern improvements (spacing, slot elongation, height screw length).Bridge Component Specifics 'American Standard' saddles- The original vintage-style Fender bent steel adjustable saddle is one of the components that give vintage Fenders their tonal 'mojo'. Fender conducted tone comparison tests, and fell in love with them all over again. They have a wider tonal range and more character many other saddles. Then Fender improved them; narrowing the spacing to afford more room (and complement the bigger frets and rolled edges), and also elongated the string slot to reduce friction and string breakage, while improving the string break angle over the primary contact point.'Tone-fusio

    $999.99

    Details
  • Harken back to the golden age of rock and roll with this Marshall Half Stack featuring two classics together, the 2061X Handwired 20W Amp Head and a 2061CX 2x12 Extension Cabinet.2061X Handwired 20W Amp Head The Marshall 2061X 20W Amp Head is a hand-wired reissue of the model 2061, a "Lead and Bass" head originally produced from 1967 to 1973. With 20W of power, it churned out golden crunchy tones with depth and character. The Marshall 2061X head comes with 2 EL84 tubes in the power amp, 2 ECC83s in the preamp, and a solid state rectifier.2061CX 2x12 Extension Cabinet The Marshall 2061CX cab is a hand-soldered, 60W, 2x12" angled speaker cabinet that matches the 2061X. Loaded with reissue 30W Celestion G12H speakers.

    $2599.99

    Details

Posts Tagged ‘tone’


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FREE Line 6 POD Farm guitar amp cabinet tone

Saturday, September 12th, 2009

HEAR my musical Dream Journal @ http://torley.com/music

Duration : 0:13:17

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Fender American Telecaster, Hot Rod Deluxe

Tuesday, September 8th, 2009

Click on “The Common Senses – When Giorgio Takes the Stage” to see this guitar live with a band! My group, The Common Senses!!

www.thecommonsenses.com
www.youtube.com/thecommonsenses
www.myspace.com/thecommonsenses

Duration : 0:6:37

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Pimp My Plexi – Part II – The Bugera 1960 mod’d like a Marshall 1959 RR model

Tuesday, September 8th, 2009

Folks – I brought my Bugera 1960 into my tech to have a RR mod done to it. Check it out, and let me know what you think. Thanks! (Comment & Subscribe).

PS – if you are interested in having this mod done to your 1960 / Plexi style amp – email me for the details : info@TheToneKing.com Thanks !

Duration : 0:9:8

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Bugera V22 vs. Vox AC15 Shoot-Out TTK Style !!

Sunday, August 23rd, 2009

The Tone King does it again – a V22 head to head w/ the classic Vox AC15. Both are EL84 1×12 combos. Which do you like better and why? I hope you enjoy this video. Please comment and subscribe!!

Duration : 0:9:33

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Laney CUB 10 class A/B all tube guitar amp demo

Monday, August 17th, 2009

The CUB 10 is not just a bigger CUB 8 it is a totally different amplifier and comes from further along the evolutionary path of tube amp design.

The CUB 10 is a CLASS A/B design and produce 10 watts RMS of power from a pre amp loaded with 2 ECC83s and a pair of 6V6GTs. The pre amp compliment consists of a Tone control, a Volume control and a Gain control. Along with a set of Hi & Lo input jacks. The CUB 10 houses a 10 Celestion driver.

The CUB 10s Class A/B output section gives this amp a nicely pronounced mid range which is where the natural frequencies of the guitar instrument sit. This means that the CUB 10 has a very natural and responsive mid range when run clean. Push the amp a little harder and things begin to get very
Zeppelin-esque – think Heartbreaker. Hit the strings harder and the amp breaks up ever so responsively, dial in more gain and the amp really starts to cook with vintage tone. The pair of 6V6GTs work hard to give plenty of low-end punch for a small tube amp, perfect for a bluesy solo.

Duration : 0:8:20

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Laney CUB 8 single ended class A all tube guitar amp demo

Saturday, August 15th, 2009

The CUB 8 is a brand new single ended class A all tube guitar amp with its roots fairly and squarely back in the very beginning of tube amp production. The design ethos behind the CUB amps is small is beautiful!! There are plenty of situations when small is king and having an amplifier like the CUB8 allows you to get THAT vintage sound. The CUB 8 features a classic single-ended Class A design, and is loaded with
a single ECC83 in the pre amp section and a single 6V6GT in the output section generating 5 watts RMS of vintage tube tone.

The CUB 8s control panel is simplicity personified a tone control, a volume control, Hi and LO input and thats your lot. The CUB 8 houses an 8 Celestion driver.

Using a CUB 8 is straightforward, plug in, dial in your tone and wind the volume up a little and the 6V6GTs respond in a bright, bouncy and brilliant fashion. Drive the output section harder and the increased 2nd and 3rd order harmonics give the tone a pronounced bottom end and a lovely lower mid.

Duration : 0:8:36

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Bugera 1960 vs. Marshall 1959 Plexi Amp Demo Review Shoot-out TTK Style

Tuesday, August 11th, 2009

BEFORE you pick a winner – READ THIS : I truly think this video, althought a shoot-out is less about winning and loosing. The truth is, there are soooo many renditions of a Plexi circuit, it’s almost unfair to say which is better. Here’s the message : Finally, there’s a Plexi that’s affordable, versus the $2k and over alternatives. Plus – I BET there will be lots of mods that will surface on the net, making this a uva amp! This is probably as baseline as an amp gets – which is super flexible. It can run clean, it can run cranked, it has the FX loop, so you can use your multiFX to tap into the power section. You can blend channels, or you can do the old fashioned ‘drive it hard, right in the front’, w/ your favorite OD pedal. So, with that said – LET ME KNOW WHAT YOU THINK OF THE VIDEO – and pleaes, COMMENT & SUBSCRIBE! Thanks for your support.

Duration : 0:8:57

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Gibson SG Special Faded, Fender 59 Bassman

Saturday, August 8th, 2009

Playing through my new (actually its very used) Fender Bassman with my Gibson SG and a Marshall Bluesbreaker II Overdrive pedal

Duration : 0:5:24

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IK’s AmpliTube Fender® Teaser

Saturday, August 8th, 2009

Introducing AmpliTube Fender®, the official Fender® guitar Amp & FX software. From guitar to bass, from Country to Blues and Rock, Punk to Metal, whatever style you play, AmpliTube Fender® is the only amp suite that gives you the worlds most influential guitar and bass tones right on your desktop.

Duration : 0:1:16

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LA Amp Show-Peavey JSX 212 Combo

Tuesday, August 4th, 2009

PG’s Joe Coffey is On Location at the LA Amp Show where he visits with Peavey, Here, we get a look at another Peavey product, the JSX 212 Combo. This amp was modeled after the infamous Joe Satriani’s rig and you can be sure it has all the tone secrets Satch uses. For more gear knowledge, visit www.premierguitar.com

Duration : 0:2:20

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