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  • The Corsair is Schecter's take on the classic semi-hollowbody electric guitar and a neo-vintage six-string that rules for rock. Its three-piece mahogany neck is shaped to deliver comfortable, effortless play with an ebony fingerboard and 22 medium frets. The semi-hollow maple body is fixed with two Duncan Designed humbuckers (with coil splitting) that whisper and wail with plenty of firepower. Rock-solid Gotoh tuners keep you in tune.

    $699.00

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  • The unique gold bullion finish of the SG Diablo Ltd. Electric Guitar is a real eye-catcher. The Original Gibson SG shattered all perceptions of what a guitar should be when it was 1st introduced in 1961. Today, the SG stands as one of Gibson's most popular and best selling guitars. Its distinctive twin cutaways, pointed horns, and beveled edges have made it one of the most inspired and iconic designs in the history of guitar making. The SG Diablo Ltd. offers a totally unusual look and a great combination of features with its streamlined, solid mahogany body, 24-fret mahogany neck, dot inlays, and rounded neck profile. Add a Gibson Burstbucker Pro 1 pickup in the neck position and a Burstbucker Pro 2 pickup in the bridge position — packed and you've got yourself one powerhouse SG.

    $2119.00

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  • The Fender American Standard Series Stratocaster HSS is a perfect electric guitar for players who like big, fat humbucker tone. Redesigned with improvements that include the modern C-shaped maple neck with glossed neck front and satin polyurethane finish on back for smooth playability. Bent steel Fender saddles with classic look and great tone. String spacing narrowed for modern playability, saddle height screws re-sized to reduce rough feel, and string slot on saddle elongated to reduce string friction or breakage. Custom staggered tuning machines eliminate the need for one of the string trees. Staggered pole pieces in the pickups provide balanced output across all strings, and specifically improves the G-string's tone. Two-point trem, rosewood or maple fretboard, and genuine Fender American craftsmanship add up to a Fat Strat style guitar that is a dream come true.The return of the American Standard Series Strat continues Fender's tradition of commitment to the people who play Fender instruments out there in the real world. Today's American Standard Stratocaster guitars are worthy heirs of their revered ancestors-mindful of player needs and taking full advantage of modern advances, yet remaining completely true to the elements and spirit that made these instruments legendary in the first place. Improvements include redesigned bridges, neck and body finishes, and a Fender-exclusive high-tech molded case. Still there are the beloved hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for tone and stability guaranteed to last a lifetime (with its limited lifetime warranty)! So make history with the redesigned American Standard!Redesigned American Standard Strat® Bridge Gives sought-after tone with modern smooth trem travel. Block retains the mass and tone of a vintage bridge block, but is chamfered for access to deeper dives. Saddles have the classic look and tone, but with modern improvements (spacing, slot elongation, height screw length).Bridge Component Specifics American Standard' saddles- The original vintage-style Fender bent steel adjustable saddle is one of the components that give vintage Fenders their tonal mojo'. Fender conducted tone comparison tests, and fell in love with them all over again. They have a wider tonal range and more character many other saddles. Then Fender improved them; narrowing the spacing to afford more room (and complement the bigger frets and rolled edges), and also elongated the string slot to reduce friction and string breakage, while improving the string break angle over the primary contact point. Tone-fusion' block- A typical cast bridge block is impregnated with a resin to eliminate voids' in the material and to bond it together this steel block is infused with copper, which makes the block 100% homogeneous metal. The result is a more musical, higher mass bridge that has more of that machined-block sound. Fender was also able to keep the same Americ

    $999.99

    Details

Posts Tagged ‘Gibson’


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AC/DC – Its a Long Way to The Top – sg guitar cover

Monday, September 14th, 2009

I’ve attempted to incorporate both Angus & Malcolms guitar parts in this song + I’ve also tried to emulate Bon’s bagpipe solo, which I’ve played on the B and top E strings using a chorus / flanger effect………

Duration : 0:5:3

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THE 1959 BURST – A Les Paul documentary

Monday, September 14th, 2009

This is a trailer for “The 1959 Burst”, a documentary film from MAXFILMCO. Winner of ‘Best Documentary Film’ at Hollywood FAME Awards and Phoenix Music Awards. Produced by Cynthia Huffman.

Duration : 0:4:7

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1958 Gibson Les Paul Goldtop 00691

Saturday, September 12th, 2009

One of the very last of the PAF Les Paul Standard Gold Tops and one of a very few ‘Dark Backs’. This solid mahogany body guitar with a carved maple top weighs just 8.80 lbs. One-piece mahogany neck with a medium profile, Brazilian rosewood fretboard with 22 original frets and pearl crown position markers. With a handwritten letter, signed by Tom Murphy, which reads: “To whom it may concern, Regarding Gibson Les Paul guitar serial #8-2700The finish has been redone by me in a vintage style gold-top ‘dark’ walnut back, with subtle aging to match hardware to finish. All of the hardware, pick-ups, tuners, plastic, etc., are original to this instrument. The frets are original and untouched.” Original brown hardshell case (9.00).

Duration : 0:1:39

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1991 Gibson Les Paul Custom Black Beauty Reissue plus Elmwood Modena M-60

Thursday, September 10th, 2009

1991 Gibson Les Paul Custom Black Beauty Reissue plus Elmwood Modena M-60 Amp plus recent Vox 2 x 12 Cab with Blue Bulldogs plus TC Nova Reverb
www.gregorhilden.de

Duration : 0:2:54

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Gibson Les Paul Custom

Tuesday, September 8th, 2009

Here´s my Gibson Les Paul Custom from… (thats what I need/want to know), Made in U.S.A. serial #127732, body is in three parts, gold hardware… only change I did is the treble/bass plastic knob that originally was black, I lost it, and my store only had white (but its original), everything is as it came from store in Brussels (I belive..), my Uncle bought it, and after several years of use, he gave it to me when I was 14, now Im 28. Would love to get it dated and valued. Thanks in advance.

update: it seems of beeing from mid 69 and start of 71 somewhere in between. lets see if I come closer to the exactly date.

Duration : 0:1:52

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Gibson Robot Guitar – Psycho

Tuesday, September 8th, 2009

The Gibson Robot Guitar in American Psycho.

Duration : 0:0:54

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Gibson SG Classic Demo

Friday, September 4th, 2009

Like new, still has factory dust plastic on pickguard, now for sale on eBay –
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=330356665609&ssPageName=STRK:MESELX:IT
this is one of those “birth of rock” guitars that sounds every bit as great today. There are numerous legendary early rock albums with this guitar all over them, most famously early recordings by The Who, like the whole “Live at Leeds”. album… This baby captures that sound brilliantly! The sound of those p90 single coil pickups has bite like a Fender, but is never thin, always fat like a humbucker, a growing favorite pickup type with many famous artists.

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1960 Gibson Les Paul Black Beauty 00964

Friday, September 4th, 2009

http://www.frettedamericana.com/details.php?id=964&counter=0

This medium weight Les Paul Custom weighs 10.70 lbs. and has a solid mahogany body with a slightly arched top. One-piece mahogany neck with a nice medium profile, a comfortable nut width of just under 1 11/16 inches and a standard Gibson scale length of 24 3/4 inches. Ebony fretboard with 22 original thin frets and inlaid pearl block position markers. The top of the guitar has seven-ply binding, the back of the guitar has five-ply binding, the headstock has five-ply binding, and the fretboard has single white binding. Headstock with inlaid pearl “Gibson” logo and five-piece pearl split-diamond inlay. Two-layer (black on white) truss-rod cover with “Les Paul Custom” engraved in white. Serial Individual Grover Roto-Matic tuners with half-moon metal buttons. The serial number (”010513″) is inked in yellow on the back of the headstock. Three really hot PAF (double-black) humbucking pickups with very strong outputs of 8.16k, 8.14k, and 7.76k. Five-layer (black/white/black/white/black) plastic pickguard. Four controls (two volume, two tone) on lower treble bout plus three-way selector switch on upper bass bout. Black plastic bell-shaped “Bell” knobs. ABR-1 Tune-O-Matic non-retainer bridge with metal saddles and separate stud tailpiece. All hardware gold-plated.The potentiometers are all stamped: “134 6043″ (Centralab October 1960). There is some very light belt buckle scarring on the back of the guitar (nothing down to the wood), a small piece of binding (1/2 inch) is missing from the edge of the headstock just above the “G” tuner. There are a couple of surface chips on the edges of the guitar, the most significant being on the treble-horn where there is also a small (3/4 inch) cut. A few tiny surface marks on the front of the guitar, and some very minor tarnishing to the gold-plated hardware. The original frets show little-to-medium wear. That all said, this totally original ‘60 Custom — with a neck and a sound to die for — is certainly one of the finest that we have ever seen. At just over ten-and-a-half pounds It is on the medium-to-heavy side for a Custom – but the extra weight shows most positively in the sound. This is an amazing one-owner guitar in exceptionally fine (9.00) condition and this is the first time that it is being offered for sale. Housed in its original (very worn) Gibson black pebble-grain “black beauty” hardshell case with orange plush lining (7.50).

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1949 Gibson ES-350 Special 00993

Friday, September 4th, 2009

The very first electric guitar with three pickups This is the exceptionally rare prototype version of the ES-5. One of only twelve of an experimental batch of ES-350 Specials made by Gibson during June and July of 1949. This 17-inch-wide single soft (Venetian) cutaway guitar weighs just 6.70 lbs. and has a nice, fat nut width of 1 11/16 inches and a scale length of 25 1/2 inches. Three original P-90 single-coil pickups with outputs of 7.45k, 7.19k and 7.05k. Four controls (three volume on lower treble bout, plus one master tone on upper treble bout). Rosewood bridge on rosewood base. Original trapeze tailpiece. This near mint (9.25) guitar, which was formerly in the Chinery collection, is featured on p. 74 of The History of the American Guitar Housed in the original brown “Lifton” hardshell case.

Duration : 0:5:9

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Steve Morse Licks on a vintage Fender Stratocaster and a JVM Marshall

Wednesday, September 2nd, 2009

In 1984 I got 2 tapes with exercises of Steve Morse and from this moment they were the only music I heard for month. The first 2 licks are in the style of his exercises. He describes how to build up a solo.
I play it on a JVM 410H Marshall and a Marshall 1960TV cab.
It´s the 3rd channel and green mode. Gain on 5, Treble 2, Middle 2, Bass 8, Master 4, Presence 3, Resonance 2, no Reverb.
www.magic-acoustic-guitars.de
www.myspace.com/magicacousticguitars

Duration : 0:5:13

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