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  • The B.C. Rich Special X Mockingbird has all the same features as the Special Mockingbird guitars. However, the Special X Mockingbirds utilize AAA quilted maple top and Grover tuners. Other features include a strategically positioned three-way toggle switch, two volume and two tone controls, stop tailpiece, a Tone Pros tune-o-matic style bridge and vintage specified Rockfield humbucker pickups.

    $699.99

    Details
  • This Marshall full stack includes one JVM410H Tube Amp Head and a 1960A angled cab with a 1960B straight cab for some serious stage presence. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1960A and 1960B 300W 4x12 Guitar Extension CabinetThe Marshall 1960 Speaker Cabinet puts out beautiful tone at any volume. The addition of an impedance (4 or 16 ohm) mono/stereo switching mechanism has transformed the "industry standard" 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers. The bottom cabinet is traditionally square-shaped with casters while the top speaker has an angled front.

    $3599.00

    Details
  • The Epiphone Dot Studio Semi-Hollow Electric Guitar builds on Epiphone's great tradition of archtops such as the legendary Sheraton and Emperor. Simplified controls and minimalist styling provide great functionality and elegant visual appeal while powerful Vintage Alnico V Plus pickups give it plenty of bite. Drawing on the classic 335 vibe, with maple top, back, sides, and set neck, the Dot Studio guitar dishes out hot blues and rock when overdriven or thick jazz tones clean. The scale length is 24-3/4", with a nut width of 1-17/25".

    $299.00

    Details

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Fender American Standard Stratocaster Electric Guitar Candy Cola Rosewood Fretboard

• New bridge with improved bent-steel saddles for increased resonance and sustain • New tinted neck treatment for a richer look • Thinner finish undercoat lets the body breathe and improves resonance • New Fender-exclusive SKB molded case • Beautiful new finish options The Fender American Stratocaster Electric Guitar is a Fender icon. Juicy upgrades include a richer, deeper neck tint for a more elegant and expensive appearance. Glossed neck front for improved looks with satin back for smooth playability. Bent steel Fender saddles with classic look and great tone. String spacing narrowed for modern playability, saddle height screws re-sized to reduce rough feel, and string slot on saddle elongated to reduce string friction or breakage. Copper Infused Cast Strat® Bridge Block (steel with copper- 100% metal) for increased mass and improved tone. This Strat features the original headstock shape but has staggered machine heads losing one string tree and improving string angle over the nut. Custom staggered pickup magnets improve string-to-string balance and give the G-string better tone. Cosmetics include parchment/black/parchment pickguard and parchment pickup covers, knobs, and tips.The return of the American Standard Series Strat continues Fender’s tradition of commitment to the people who play Fender instruments out there in the real world. Today’s American Standard Stratocaster guitars are worthy heirs of their revered ancestors-mindful of player needs and taking full advantage of modern advances, yet remaining completely true to the elements and spirit that made these instruments legendary in the first place. Improvements include redesigned bridges, neck and body finishes, and a Fender-exclusive high-tech molded case. Still there are the beloved hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for tone and stability guaranteed to last a lifetime (with its limited lifetime warranty)! So make history with the redesigned American Standard!Redesigned American Standard Strat® Bridge Gives sought-after tone with modern smooth trem travel. Block retains the mass and tone of a vintage bridge block, but is chamfered for access to deeper dives. Saddles have the classic look and tone, but with modern improvements (spacing, slot elongation, height screw length).Bridge Component Specifics ‘American Standard’ saddles- The original vintage-style Fender bent steel adjustable saddle is one of the components that give vintage Fenders their tonal ‘mojo’. Fender conducted tone comparison tests, and fell in love with them all over again. They have a wider tonal range and more character many other saddles. Then Fender improved them; narrowing the spacing to afford more room (and complement the bigger frets and rolled edges), and also elongated the string slot to reduce friction and string breakage, while improving the string break angle over the primary contact point.’Tone-fusio

 

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