The Vox amPlug is a headphone amp that can help you to create the perfect practice session. The tiny amPlug plugs directly into your guitar-then just plug in your headphones and relish some great Vox tone.Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. If you want to play guitar right now, amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime.Even with its ultra-compact size, the Vox amPlug perfectly reproduces the complex and warm distortion that is distinctive of a vacuum tube, as well as the powerful high gain produced by a large amp stack. Using analog modeling technology, amPlug delivers full-fledged amp sound.Even the circuit response of the original amp is simulated completely. The simulation extends not only to the response of the tone circuits, but also to the way in which the high frequency and gain are affected when you turn down the volume control of the guitar. Every detail has been faithfully reproduced.amPlug can be used in numerous ways. With up to fifteen hours of battery life, it’s easy to take amPlug anywhere. In addition to practicing at home, it’s a great way to warm up before a live performance or on the road. And amPlug is not just a convenient way to get great guitar sound. There’s also an AUX input jack so you can jam along with your CD/MP3 player.Classic Rock gives you the great high-gain sound of a UK-made 100W amp, and uses four classical gain circuits to deliver that great sound.Also available in AC30, that emulates the AC30 top boost sound of a vintage VOX AC30, and Metal, based on a California-made high-gain amplifier head.

This Line 6 Half-Stack includes the HD 150 Guitar Amp Head and Spider III 4×12 stereo speaker cabinet.The Line 6 Spider III HD150 Guitar Amplifier Head delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more! Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more!. These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III amplifier is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. We wanted an Amp Model that has that classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amp had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac

The THD UniValve Rackmounted Guitar Amplifier Head is a single-ended class A amplifier head with a single output tube that can be switched at will among many octal-based power tubes, including 6L6, EL34, 6550, KT90, KT88, KT77 and KT66, for different tones without re-biasing the amp. Likewise, the two preamp tubes can be any combination of 12AX7, 12AT7, 12AU7, 12AY7 or 12AZ7. The UniValve delivers tones from smooth and clear to very aggressive overdrive. It is quite small and light, yet easily capable of driving a 4 x 12″ cabinet. It has a built-in hot plate power attenuator that allows for full output distortion at almost any volume. And it doesn’t cost as much as you might think.What is a Class A? Class A is a term given to an amp that runs its tubes at full current all the time, unlike most tube amps that alternate between running one set of tubes and the other set, each for one half of the wave. The set not in use is turned off by a positive swing of the grid voltage. Single-ended output stages always operate in Class A. Most push-pull amplifiers, including the venerated Vox AC-30 operate in Class AB when overdriven, even if they are in Class A while clean. The upshot is that Class A operation has its own unique tone characteristics that set it apart from other tube amp classes. Class A amps sound great at low volumes, and even better as you turn them up. Thus, with the relatively low wattage of the UniValve you can turn up the amplifier to take full advantage of its stunning output distortion tone without deafening anyone. Why the self-biasing feature? The UniValve’s circuitry senses the current needs of the output tube and provides the correct bias volt-age to the cathode of the output tube regardless of tube type or wear. This means that, without any trip to an amp technician, you can simply replace the output tube with one that has different sound characteristics. (Of course, you can also change the preamp tubes at will for even more tonal variations.) For example, a 6550 will stay cleaner at higher volumes, but when overdriven, yields an astoundingly “woody” character to the overdrive. On the other hand, an EL34 will break up earlier than a 6550 and gives a more British sound. The ever-popular 6L6 family of tubes gives a tight overdrive with less power than a 6550 but more detail than an EL34. Even within the same type of output tube there are “harder” and “softer” tubes, so two guitarists playing with the same guitar through the same UniValve, but simply switching the tubes to their preference, can have noticeably different tones.Controls and Features The UniValve has two inputs: one for high gain and one for low gain ranges. The low gain input with 12AX7 preamp tubes in the amp gives a wide range of clean sounds from country clean and crisp to jazz warmth. With the controls pegged and a relatively high-output humbucker, the low-gain input can deliver a very convincing Texas blues type of ov

Based on the popular DA5 Digital Amp, the DA20 combines higher power with the same great tone and go-anywhere portability of their smaller sibling. The DA20 Amp offers the option of running on battery power, so you can take the jam session literally anywhere!Loaded with tone, at home or to go. The 20-Watt DA20 offers 11 distinctive sound styles ranging from clean to high gain, 11 great sounding, digital effects, a “knob-based” control panel that’s really easy to use, plus a whole lot more. Designed to take the show on the road, the DA20 amp can be cranked up at 5 Watts on battery power (6 x C batteries, not included).Great sounding effects. The versatility of the Vox DA20 combo extends to a full complement of 11 digital effects. Featuring auto-wah, chorus + delay, chorus + reverb, compressor, compressor + chorus, compressor + phaser, delay, flanger + reverb, reverb, rotary + reverb, and tremolo + reverb. There’s also a Tap Button that makes it easy to set the delay time or modulation speed. And like the larger AD Series or “Valvetronix” amps, editing the effects parameters on the DA20 is simple.Double up the tone. The DA20 is equipped with two VOX original design speakers. The DA20 packs a punch with 2 x 8 ” speakers. With the VOX DA amplifiers, you don’t have to sacrifice great tone for portability and ease of use!Play it anywhere, any way! The DA20 can be powered by its AC adapter or by six C batteries. A built-in output power switch (MAX, 1.5W, 0.5W) helps extend battery life and lets you play at lower volume without losing any tone or feel.That’s not the only trick this tone machine has to offer. The DA20 amplifier comes equipped with an AUX IN that allows you to connect an external audio device such as a CD or MP3 player, plus a MIC INPUT to connect a microphone. Just plug your guitar in, and you can play and sing along with your favorite band or recording!Great for practicing and recording. The Vox DA20 is equipped with a combination Line/Headphone output so you can connect to a headphone, mixer or recorder. The amps’ emulated line out provides a full, realistic sound whether you’re recording direct or listening through headphones. And since plugging into the jack defeats the speaker output, you can practice when you want, where you want, and as loud as you want in total privacy.Great sounding. Great looking too. The DA20 is dressed in black vinyl with black chrome grilles or brown diamond grille cloth.

The powers of the Tech 21 Trademark 60 amplifier are many. Experience how the soulful Trademark TM 60/212 Guitar Combo Amp can work its magic for you. Loaded with custom-designed Celestion® Seventy80 Speakers, this 60 W 2×12 combo delivers 80 Watts/16 Ohms each, 8 Ohms Total Load.Channel 1 offers a range of Fender® styles, from chiming clean to sizzling, saturated tweed’ tone. The cunning Punch control sets the amount of midrange break-up and overdrive, and a Bite™ button tightens the low end and adds brightness. Things get much more raunchy over in Channel 2, with amp sounds ranging from crunchy Marshall®, to gnarly Vox® AC30, to slamming Mesa® Rectifier styles. A Weep™ button increases the amount of even harmonics and thickens the sound. Its powerful and sophisticated midrange control, appropriately named Growl™, can produce brutal scooped’ tones without any loss of girth or volume. Master section features active Low and High EQ controls, master Reverb and Boost. Midrange is individually controlled by Punch in Channel 1 and by Growl in Channel 2. Top-of-the-line, full-length Accutronics® 6-spring reverb. Boost function, for solos, increases the volume level up to 9dB without altering your tone. Unique Link button connects the Boost and Reverb functions to increase the size of your sound as well as the volume. Headphone output, which doubles as a 1/4″ direct out. Multi-function footswitch (included) selects channels, activates the Reverb and Boost functions and engages the Effect Loop. Uses any standard 1/4″ instrument or speaker cable.Optional ARMD MIDI Converter controls footswitch functions of multi-channel Trademark and Landmark amplifier footswitch functions with any MIDI controller. Optional Black Vinyl Covers available.

The VOX Heritage Collection AC30H2 30W combo amplifier features 2 channels of classic VOX tone. Channel 1 is an EF86 tube-based channel and channel 2 is VOX’s famed 12AX7 based top-boost channel. The AC30H2 hand-wired amp is loaded with 2×12″ VOX/Celestion Alnico “Blue” Speakers. Other premium appointments include genuine leather handles and vintage cream covering.

The Line 6 Spider III 75 Guitar Combo Amp delivers killer amplifier and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more.Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more! These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any tone you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III guitar speaker is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when their discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. It has classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amplifier had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.Metal: Red LED – This Amp Model is based on* the M

The Line 6 Spider III 120 Guitar Combo delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more. Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more! These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender© amps, including the blackface ‘65 Twin Reverb© and blackface ‘64 Deluxe Reverb©. It has classic glassy high-end tone, with some snap and bite.glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender© tweed Deluxe Reverb©, ‘58 Fender© tweed Bassman© and a ‘60 Gibson© Explorer© to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall© JTM-45, a ‘58 Fender© Bassman©, a ‘63 Fender© Vibroverb and a Supro©, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox© AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall© Plexi 50 Watt. This type of Marshall© amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall© amp had.On Fire: Green LED – This Amp Model is based on* a ‘68 Marshall© Plexi 100 watt with a few added extras; The combi

The Line 6 Spider III 150 Stereo Combo delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more! Line 6 has also given the Spider III 150 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more!. These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III amp is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender© amps, including the blackface ‘65 Twin Reverb© and blackface ‘64 Deluxe Reverb©. It has classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender© tweed Deluxe Reverb©, ‘58 Fender© tweed Bassman© and a ‘60 Gibson© Explorer© to create a swingin’ Rockabilly tone.Blues: Red LED — Based on* a mix of a ‘65 Marshall© JTM-45, a ‘58 Fender© Bassman©, a ‘63 Fender© Vibroverb and a Supro©, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox© AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall© Plexi 50 Watt. This type of Marshall© amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall© amp had.On Fire: Green LED – This Amp Model is based on a ‘68 Marshall© Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input ch

The Heritage Collection AC30HH 30-watt head is a stunning amplifier! This all-tube, hand-wired beauty features two channels of classic VOX tone. Channel 1 is an EF86 tube based channel and channel 3 is VOX’s famed 12AX7 based Top Boost channel. Other premium appointments include genuine leather handles and vintage cream covering.