In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that’s really saying something!Each of its 4 channels-Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they’re incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you’re only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.

This full stack includes one JCM800 2203KK amp head, one 1960A angled guitar extension cab, and one 1960B straight guitar extension cab.Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head The all-valve Kerry King Signature JCM800 2203KK is the essence of simplicity-a single-channel tube amp with no reverb or effects. It’s easy control panel, distinctive roar, and larger than life edge has set the standard by which many rock amps are judged. This Kerry King model features a switchable Kerry King signature sound section called “The Beast” that has two adjustable controls-”Assault” & “Gate.” “Assault” intensity controls the extent of Kerry’s signature EQ boost, and “Gate” is an adjustable, studio-quality, ultra-fast noise reduction unit. You’ll still find a Series Effects Loop with true bypass that takes the loop completely out of the circuit, ensuring the original tone isn’t compromised in any shape or form. The 3-band EQ gives you plenty of control, but the base tone of this amplifier is patterned after the reverse-shape EQ setting used by Kerry himself! Eye-catching tribal graphics blaze from the front panel and baffle. Jim Marshall and Kerry King’s signature’s on the control panel identify its pedigree.Marshall 1960A & 1960B 300W 4×12 Guitar Extension Cabinets These speaker cabs put out beautiful tone at any volume. The addition of an impedance (4- or 16-ohm) mono/stereo switching mechanism has transformed the “industry standard” 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers.

The Marshall 1923C 85th Anniversary Amplifier is an exact replica of the one-off amp designed and presented to Dr. Jim Marshall at his 85th birthday celebration in July 2008. Based on the legendary JCM 2000 Dual Super Lead platform, the 1923C amp is a 2×12″ combo unit with 50W of EL34 power and that distinctive Marshall tone. The front panel is finished with a custom color print design incorporating both the 85th Celebration logo and the Union Jack. Every 1923C Anniversary Amp is constructed using high-grade Baltic birch plywood for superior sonic performance and durability.Since his birth in 1923, Jim Marshall has changed the world of guitar music forever by listening to the needs of guitarists and developing some of the most cutting-edge and familiar tones ever recorded. This distinctive tube amp is a fitting tribute to Dr. Marshall.

There’s nothing to lose and a lot of gain with this Marshall JVM410H Tube Amp Head and 1936 2 x 12 Half Stack kit, a foot-stomping deal if there ever was one. JVM410H Tube Amp Head In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that’s really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshall amps in one!The JVM410H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they’re incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you’re only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1936 2×12 Cabinet The Marshall 1936 2×12 Cabinet has two 12″ Celestion G12T75 speakers to handle 150W. Size matches full-size Marshall heads. Offers mono or stereo option (eight ohms mono; sixteen ohms stereo). Marshall constructs the 1936 Speaker Cabinet with locking joints; smooth ABS plastic corners; and heavy-duty, ergonomically recessed grab handles.

Marshall 1959SLPX Vintage Series 100W Tube Head This all-tube tone machine cranks out fabulous lead distortion and tight crunch exactly like the original model from the 1967 to 1969 era. Inspired by Pete Townshend’s unquenchable thirst for volume, this guitar amp head features 100W of power from 4 EL34s and 3 ECC83s in the preamp-the exact configuration of the original. True bypass series FX loop, 3-band EQ, and presence control.Marshall 1960TV Cabinet The 1960TV speaker cab has an angled front; four 12″ Greenback speakers; and a warmer, thicker sound than the 1960A. This 100W, mono, 16-ohm cabinet is 3 inches taller than a standard 1960A 4×12 cabinet which results in well defined mid range and a lowered resonant frequency for more prominent lows. The 25W Greenbacks are less in your face than the 75W Celestions in the 1960A. Although not a reissue-it was never offered in the past-this cab recreates the classic look and tones of yesteryear.

With the Marshall MG50DFX Combo Amp you get the Marshall sound in a compact practice/gigging amplifier. Though small, it delivers a dynamic yet toneful punch. 50W. 12″ speaker. 2 footswitchable channels. Loaded with digital effects including reverb, delay, chorus, and flange. Includes special features such as FDD (Frequency Dependent Dampening), CD ins, plus emulated line out, and emulated headphone jacks.

Marshall’s AS50D is a 50-watt, 2 x 8″ acoustic guitar combo amp with 2 channels, including a phantom-powered microphone channel. It features a redesigned tweeter, digital chorus and reverb, and an anti-feedback notch filter. Each channel sports its own volume, EQ, FX loop, and D.I. output. Master volume, line out and RCA inputs round things out nicely.Believe it or not, the Marshall design team does not consist solely of metal heads, rockers and blues lovers. The award winning, critically acclaimed AS50D is proof of their diversity and expertise.

The Marshall Vintage Modern 2266C 50 Watt 2 x 12 is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility of tonal shaping for individual guitars and styles while the power amplifier is heavily based on the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB are catered for via rear panel switch as well as the option to completely bypass this feature if it is not required.The Combo comes fitted with two Celestion G12C 25 Watt greenback speakers enabling stand-alone performance. There is a facility for using an extension cab if required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.

There’s nothing micro about Zakk Wylde, but even Zakk doesn’t always haul his full-sized Marshall amp everywhere he goes—like backstage to warm up. The Marshall MG15MSZW Microstack puts out a tone that’s far from miniature. With a 15W head and 2 cabs each with a 10″ speaker, this stack is only 15″W x 37″H x 9″D. The head has all the standard MG features: control for clean volume; overdrive gain and volume; reverb level; and 3-way EQ with bass, treble, and a contour that lets you fine-tune the mids. It also boasts a CD input, an emulated line out, and a headphone jack that mutes the speakers.Conceived by Dr. Jim Marshall after he and Zakk had shared a few whiskeys, the Zakk Wylde version of the Marshall Microstack sports salt & pepper grille cloth and a custom Zakk control panel with the famous bullseye pattern.

The Marshall Vintage Modern 2266C 50 Watt 2 x 12 is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.Two frequency selective Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility of tonal shaping for individual guitars and styles while the power amplifier is heavily based on the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound.A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of 10dB and +4dB are catered for via rear panel switch as well as the option to completely bypass this feature if it is not required.The Combo comes fitted with two Celestion G12C 25 Watt greenback speakers enabling stand-alone performance. There is a facility for using an extension cab if required.The cosmetics are also a carefully crafted hybrid of old and new styles made even more dramatic by the deep purple vinyl that covers the entire series.