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Marshall Limited Edition MG100HDFX and MG412A Purple Half Stack

Sep 30, 2010 Marshall Guitar Amps

The Marshall MG100HDFX/MG412A Purple Half Stack features the MG100HDFX Guitar Amp Head and the MG412A Angled Guitar Extension Speaker Cabinet in an awesome purple finish.MG100HDFX Guitar Amp Head Boasting the same impressive features and staggering versatility of the Marshall MG100DFX combo, this awesome, 100W amp head will drive any speaker cabinet from the Marshall Range, but it is best suited to the MG412A (angled) and MB421B (straight) 120W 4×12″ speaker cabs. Unbelievable tone, feel and projection comes standard.MG412A Angled Guitar Extension Speaker Cabinet The perfect companion for theMarshall MG100HDFX Guitar Amp Head, the MG412A Angled Guitar Extension Speaker Cabinet features 4 premium Celestion 30W 12″ speakers in the coolest purple cabinet to ever rock the planet! This Marshall speaker cabinet is bright and punchy with tight lows. The angled speaker cab lets you hear yourself while you blow the house down. The Marshall MG412A cab is rock-solid and roadworthy. (Casters not included.)

 

Marshall JVM Series JVM205H 50W Tube Guitar Amp Head Black

Sep 27, 2010 Marshall Guitar Amps

In a nutshell, the Marshall all-valve, 2-channel JVM205H 50W tube head is a 2-channel, 50W version of the most versatile Marshall amplifier ever made, the JVM410H. Each of its 2 channels are completely independent of each other, and they boast 3 Modes, all 6 of which are footswitchable and feature their own unique gain structure. It makes the JVM 2-channel effectively 6 Marshalls in one!The JVM205H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.An ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 4-way footswitch boasts LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM205H all-valve amp head will give you whatever tone you need right when you need it.

 

Marshall Footswitch for AVT 150

Sep 27, 2010 Marshall Guitar Amps

This is the genuine 6-way Marshall footswitch for the AVT 150 guitar amp.

 

Marshall JTM45 and 1960TV Half Stack

Sep 26, 2010 Marshall Guitar Amps

Marshall JTM45 Amp Head A lovingly created reproduction of Jim Marshall’s first amplifier. Now the classic JTM45 is accessible to all who enjoy its glassy, clean tone and fluid, warm sustain. By including GZ34 valve rectification, as found in the original, Marshall has ensured a faithful recreation of the JTM45′s glorious sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smolder beneath every note you play.Marshall 1960TV Cabinet Has an angled front; four 12″ Greenback speakers; and a warmer, thicker sound than the 1960A. This 100W, mono, 16-ohm cabinet is 3 inches taller than a standard 1960A 4×12 cabinet which results in well defined mid range and a lowered resonant frequency for more prominent lows. The 25W Greenbacks are less in your face than the 75W Celestions in the 1960A. Although not a reissue-it was never offered in the past-this cab recreates the classic look and tones of yesteryear.

 

Marshall 1974X Handwired 18W 1×12 Combo Amp

Sep 25, 2010 Marshall Guitar Amps

The Marshall 1974X 18W 1×12 Combo Amp is a handwired reissue of the model 1974, a combo originally produced from 1965 to 1968. Introduced as a practice combo amp in 1965, it wasn’t as loud as the terror-inducing heads Marshall was producing, but it could rock, giving up incredible lead and crunch sounds at low volumes. The 1974X combo comes with 2 EL84 tubes in the power amp, 3 ECC83s in the preamp, an EZ81 rectifier tube, and features valve-driven tremolo. A proprietary, aged reissue of the 20W, ceramic magnet Celestion T1221 speaker used in the original adds to the Marshall 1974X’s tonal authenticity. Marshall includes a footswitch with your 1974X Combo Amp.

 

Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head

Sep 18, 2010 Marshall Guitar Amps

The all-valve Kerry King Signature JCM800 2203KK is the essence of simplicity-a single-channel tube amp with no reverb or effects. It’s easy control panel, distinctive roar, and larger than life edge has set the standard by which many rock amps are judged.This Kerry King model features a switchable Kerry King signature sound section called “The Beast” that has two adjustable controls -”Assault” & “Gate.” “Assault” intensity controls the extent of Kerry’s signature EQ boost, and “Gate” is an adjustable, studio-quality, ultra-fast noise reduction unit. The 3-band EQ gives you plenty of control, but the base tone of this amp is patterned after the reverse-shape EQ setting used by Kerry himself! Eye-catching tribal graphics blaze from the front panel and baffle. Jim Marshall and Kerry King’s signature’s on the control panel identify its pedigree.One of the nicest surprises: Marshall has added functionality to the amp, while lowering the price!

 

Marshall JCM800 2203X, 1960A, and 1960B Full Stack

Sep 18, 2010 Marshall Guitar Amps

This full stack includes one JCM800 2203 tube head, one 1960A angled guitar extension cab, and one 1960B straight guitar extension cab.Marshall JCM800 2203 Vintage Series 100W Tube Head One of the most highly respected 100W Marshall heads in the company’s long history. Evolving from the legendary Plexi head, it was one of the first Marshall amplifiers to feature a master volume control. The essence of simplicity, the JCM800 is a one-channel, all-valve amp with no reverb or effects. Its easy control panel, distinctive roar, and larger-than-life edge immediately set the standard by which all other rock amps were judged and it remained the industry benchmark throughout the entire 16 years of its production life. Now it’s back by popular demand and just like the 1959SLP and 1987X it has a Series Effects Loop with true bypass that takes the loop completely out of the circuit ensuring the original tone isn’t compromised in any shape or form.Marshall 1960A & 1960B 300W 4×12 Guitar Extension Cabinets These speaker cabinets put out beautiful tone at any volume. The addition of an impedance (4- or 16-ohm) mono/stereo switching mechanism has transformed the “industry standard” 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers.

 

Marshall MG100HDFX/MG412 Slant Cab Half Stack Package

Sep 11, 2010 Marshall Guitar Amps

The Marshall MG100DFX is a 2-channel amp with special features such as FDD (Frequency Dependent Dampening), CD iputs, plus emulated line out, and emulated headphone jacks. It features digital effects including reverb, delay, chorus, and flange. With 100W, this is a fully gig-capable amp and it retains all the features that make it great for practice, too. The Marshall MG412 straight cab is the perfect match to the MG100HDFX. This 8 ohm, 120W cab is loaded with 4 – 12″ custom-voiced Marshall/Celestion speakers and finished in rugged black Tolex.

 

Marshall Limited Edition Kerry King MG10KK 10W 1×6.5 Combo Amp Red/Black

Sep 7, 2010 Marshall Guitar Amps

Marshall’s Kerry King signature practice amp, the MG10KK, is a 10-Watt, 2-channel combo amp with a 6.5″ speaker. It features FDD: Frequency Dependent Damping, a speaker emulation that brings the sound of a big guitar speaker from your small practice amp driver. You also get a speaker-emulated line out that doubles as a CD-in, for playing along with your favorite recordings. A headphone jack, with the same great, emulated sound output, allows you to use your Marshall amp to shred in silence, without bothering roommates or neighbors. The classic gold Marshall panel has been stained red while its black knobs and tribal tattoo design are in stark contrast to its bold white text. The result is an amp that in Kerry’s words truly has been “reigned in blood.”It also includes an exclusive Guitar Abuse tutorial DVD, commissioned by Marshall Amplification and filmed by Guitar World. Legendary Slayer guitarist, Kerry King, gives you a personal insight and demonstrates exactly what this diminutive beast can do.The MG Series raises the standard for what can be expected from a value-for-money range of guitar amplifiers and defines a new benchmark.Control Panel 1. Input jack: Use a good quality guitar (screened) cable to plug your guitar in here. 2. Clean VOLUME control: When the OD Select switch is out’; this control adjusts the volume of the Clean Channel. At low settings the sound will be very clean with a bell-like ring. Turning this control above half way will introduce a desirable, bluesy distortion as the power amplifier is driven into crunch mode’. 3. OD (Overdrive) SELECT switch: Depressing the Overdrive Select Switch will engage the Overdrive Channel. 4. Overdrive GAIN control: Turning up the Overdrive Gain Control will increase the amount of distortion generated in the Overdrive channel. Low gain settings will produce classic rock and blues tones. Crank the Gain for fat and aggressive sounds that are perfect for soloing or hard rock and nu-metal riffs. 5. Overdrive VOLUME control: The MG10KK cleverly combines its Line Out and CD Input functions. If you want to jam to your favorite CD or tape, merely connect the headphone output of your CD or tape player here, adjust the player’s volume to match that of your guitar and hey-presto’ you’ve got the perfect play-along’ practice system. Alternatively, you can use this socket to connect the MG10KK to your multi-track recording machine and you’ll get a great guitar sound direct to disk or tape. HELPFUL HINT: for silent’ recording merely plug an unconnected jack plug to the headphone socket and you’ll disconnect the MG10KK’s internal speaker. 8. EMULATED HEADPHONES jack: Plug your headphones here for a killer speaker emulated sound! Doing this mutes your MG10KK amp’s internal speaker for silent practice. 9. POWER Switch and LED: The power switch turns your amplifier on and off. The LED will be lit when your amplifier is on.DVD Contents Guitar A

 

Marshall 1959HW, 1960AHW, and 1960BHW Full Stack

Sep 6, 2010 Marshall Guitar Amps

This Marshall full stack includes a 1959HW head, a 1960AHW angled extension cab, and a 1960BHW straight extension cab.Marshall 1959HW Handwired Plexi Head The Marshall 1959HW amp head is a handwired reissue of a circa 1967 100W Superlead head. Since 1967 when the JMP (Jim Marshall Products) Plexi panels were introduced, the Superlead head has been the benchmark for all-tube distortion and tight crunch. Tube lineup includes 4 EL34s in the power section and 3 ECC83s in the preamp. True bypass effects loop, 3-band EQ, and presence control.Marshall 1960AHW & 1960BHW 120W 4×12 Extension Cabinets The 1960AHW and 1960BHW are hand-soldered, 120W, mono, 16-ohm 4×12″ guitar speaker cabinets with salt ‘n’ pepper grille cloths, metal handles, loaded with reissue 30W Celestion G12H speakers.

 


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