Whether you play acoustic guitar, violin, or harmonica, this Peavey Ecoustic 112 EFX amp is the answer for those difficult-to-amplify acoustic instruments. It also works great for vocals. The Ecoustic uses special EQ and feedback controls to capture the true essence of acoustic sound. 12″ Blue Marvel coaxial speaker. 125W biamped power (100W for lows and mids, 25W for highs). 3-channel operation, 2 with independent effects. Chorus, phaser, delay, rotating speaker, reverb, and doubler on channel 1. Chorus, delay, and reverb on channel 2. 2 independent 5-band graphic EQs. XLR out. The Peavey Ecoustic acoustic amplifier is equipped with the Feedback Ferret digital anti-feedback system. Semi-programmable with optional footswitch.

Silver grille cloth, skirted knobs, and other Blackface appointments give the Fender Series II Frontman 15R Guitar Combo Amp the traditional Fender look. Plus, it has the features that make it a superior practice or backstage warmup amp: great Fender tone, reverb, 2 channels including normal and drive, a headphone jack, and an auxiliary input for CD, tape, or drum machine.

The Vox amPlug is a headphone amp that can help you to create the perfect practice session. The tiny amPlug plugs directly into your guitar-then just plug in your headphones and relish some great Vox tone.Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. If you want to play guitar right now, amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime.Even with its ultra-compact size, the Vox amPlug perfectly reproduces the complex and warm distortion that is distinctive of a vacuum tube, as well as the powerful high gain produced by a large amp stack. Using analog modeling technology, amPlug delivers full-fledged amp sound.Even the circuit response of the original amp is simulated completely. The simulation extends not only to the response of the tone circuits, but also to the way in which the high frequency and gain are affected when you turn down the volume control of the guitar. Every detail has been faithfully reproduced.amPlug can be used in numerous ways. With up to fifteen hours of battery life, it’s easy to take amPlug anywhere. In addition to practicing at home, it’s a great way to warm up before a live performance or on the road. And amPlug is not just a convenient way to get great guitar sound. There’s also an AUX input jack so you can jam along with your CD/MP3 player.Classic Rock gives you the great high-gain sound of a UK-made 100W amp, and uses four classical gain circuits to deliver that great sound.Also available in AC30, that emulates the AC30 top boost sound of a vintage VOX AC30, and Metal, based on a California-made high-gain amplifier head.

With double the processing power, models and effects of competitive modeling amplifiers, the VYPYR dramatically redefines the power and scope of modern guitar amplification. VYPYR amplifiers are based on powerful 32-bit, floating-point SHARC processors that enable highly detailed, accurate modeling as well as vastly enhanced flexibility and features than ever before available in guitar amplification.Featuring 24 amp channel models-both the clean and distorted channels of 12 popular amps for the first time anywhere-plus 11 editable preamp “stomp box” effects and 11 editable post-amp “rack” effects with dual-parameter control. Players can use up to five effects simultaneously. When used with the optional Peavey Sanpera foot controller, the possibilities further expand from 12 in-amp presets to 400 programmable presets, with an on-board looper and more. The VYPYR also acts as its own computer audio interface, with a built-in studio-quality USB 2.0 output on most models that is recognized by computers as an audio device. The entire six-model VYPYR Series features the easy-to-use Peavey WYSIWYG (What You See Is What You Get) interface.

In a nutshell, the Marshall all-valve, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date-and that’s really saying something!Each of its 4 channels-Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure. It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp’s two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they’re incredibly simple to understand because of the extremely logical layout. Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain-accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you’re only left with 4 Master controls-2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp’s switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you’re looking at an incredibly flexible amp! The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.

This Line 6 Half-Stack includes the HD 150 Guitar Amp Head and Spider III 4×12 stereo speaker cabinet.The Line 6 Spider III HD150 Guitar Amplifier Head delivers killer amp and effects models, and a ton of presets created by some of the world’s most notorious guitar stars from bands including 311, Thursday, Lacuna Coil, Hawthorne Heights, Slipknot, Ash, Albert Lee, Athlete, John 5, and many more! Line 6 has also given the Spider III 120 another 150 song-based presets—sounds from such classics as No More Tears, Enter Sandman, Stinkfist, Back In Black, Bark at the Moon, and many more!. These presets combined with 7 quality effects models, make the Spider III a giant of tone that give you any sound you want, already dialed in. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.New to the Spider III amplifier is a huge range of killer mid-gain guitar tones. A critical advancement was made to the sound and feel of the Spider III line when a discerning panel of artists focused in on the venerable “mid-gain” range of tone to deliver the complex, layered and dynamic amp tone we all appreciate from classic and boutique amps.Amp Models: Clean: Red LED – Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.Glassy: Green LED – Line 6 developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It is like a 1973 Hiwatt Custom 100 with an extended tone control range and tightened up low end.Twang: Red LED – This Amp Model draws on the mid 60’s Fender amps, including the blackface ‘65 Twin Reverb and blackface ‘64 Deluxe Reverb. We wanted an Amp Model that has that classic glassy high-end tone, with some snap and bite.Twin Twang: Green LED – This Amp Model is based on* a number of vintage tweed amps: a ‘53 Fender tweed Deluxe Reverb, ‘58 Fender tweed Bassman and a ‘60 Gibson Explorer to create a swingin’ Rockabilly tone.Blues: Red LED Based on* a mix of a ‘65 Marshall JTM-45, a ‘58 Fender Bassman, a ‘63 Fender Vibroverb and a Supro, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.Class A: Green LED – This Amp Model is based on* a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. It captures that early British pop rock tone that the Beatles and the Stones are so well known for.Crunch: Red LED – This sound was crafted from studies of the ‘68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amp had.On Fire: Green LED – This Amp Model is based on* a 68 Marshall Plexi 100 watt with a few added extras; The combination of a Variac

This full stack includes one JCM800 2203KK amp head, one 1960A angled guitar extension cab, and one 1960B straight guitar extension cab.Marshall 2203KK Kerry King Signature JCM800 Guitar Amp Head The all-valve Kerry King Signature JCM800 2203KK is the essence of simplicity-a single-channel tube amp with no reverb or effects. It’s easy control panel, distinctive roar, and larger than life edge has set the standard by which many rock amps are judged. This Kerry King model features a switchable Kerry King signature sound section called “The Beast” that has two adjustable controls-”Assault” & “Gate.” “Assault” intensity controls the extent of Kerry’s signature EQ boost, and “Gate” is an adjustable, studio-quality, ultra-fast noise reduction unit. You’ll still find a Series Effects Loop with true bypass that takes the loop completely out of the circuit, ensuring the original tone isn’t compromised in any shape or form. The 3-band EQ gives you plenty of control, but the base tone of this amplifier is patterned after the reverse-shape EQ setting used by Kerry himself! Eye-catching tribal graphics blaze from the front panel and baffle. Jim Marshall and Kerry King’s signature’s on the control panel identify its pedigree.Marshall 1960A & 1960B 300W 4×12 Guitar Extension Cabinets These speaker cabs put out beautiful tone at any volume. The addition of an impedance (4- or 16-ohm) mono/stereo switching mechanism has transformed the “industry standard” 1960 into the ultimate speaker cab. These 280W Marshall cabs are loaded with Celestion Vintage speakers.

From the Joe Satriani series, the Peavey JSX Mini Colossal Guitar Amp is a great answer to the question of how to get great tube sound out of a small combo amplifier at manageable volumes. The feature that makes it happen is Peavey’s trademarked Power Sponge: a unique control that allows the user to adjust the nominal output power level of the amplifier. It can be used in conjunction with the volume control to attain infinite combinations of power amp and preamp distortion at any volume level. This control DOES NOT affect the level of the Microphone Simulated Recording output and provides an appropriate load to the amplifier at all settings.Speaker outputs are provided as paralleled 1/4″ mono tip-sleeve jacks for the connection of speaker enclosures. Minimum speaker impedance is 4 Ohms. You set the cabinet Impedance Selector switch to match the load of the speaker cabinet(s). The internal speaker is 8 Ohms.A recording out XLR jack is used to route a Microphone Simulated signal (tapped directly from the speaker being used) from the amplifier to an external recording device or PA. It uses a 100% passive circuit to avoid clipping, noise, and other shortcomings of solid-state circuitry. An 8″ speaker is specially voiced to get the absolute best tone out of this combo, whether you’re playing clean, crunchy, or full-on distortion.Peavey hasn’t forgotten good looks, either. A stylish black housing is set off by a classic jeweled power light and chrome-plated brass control knobs.”The JSX Mini Colossal Combo is a Class A monster in a nice little box. It has a pure, wide-open sound, classic tremolo, buffered effects loop, a unique power level attenuator, and a recording output that actually sounds like the amp. Together with a specially voiced 8″ speaker, the 5W Mini Colossal has a vintage tone that really rocks. It can run clean, crunchy, or, down and dirty. Its unique design makes it easy to get a good tone fast, and its size makes it very practical. Whether practicing, recording, or, even playing a small gig, this lively little amp really sounds great.” Joe SatrianiMade in the USA.

With double the processing power, models and effects of competitive modeling amplifiers, the VYPYR dramatically redefines the power and scope of modern guitar amplification. VYPYR amplifiers are based on powerful 32-bit, floating-point SHARC processors that enable highly detailed, accurate modeling as well as vastly enhanced flexibility and features than ever before available in guitar amplification.Featuring 24 amp channel models-both the clean and distorted channels of 12 popular amps for the first time anywhere-plus 11 editable preamp “stomp box” effects and 11 editable post-amp “rack” effects with dual-parameter control. Players can use up to five effects simultaneously. When used with the optional Peavey Sanpera foot controller, the possibilities further expand from 12 in-amp presets to 400 programmable presets, with an on-board looper and more. The VYPYR amp also acts as its own computer audio interface, with a built-in studio-quality USB 2.0 output on most models that is recognized by computers as an audio device. The entire six-model VYPYR Series features the easy-to-use Peavey WYSIWYG (What You See Is What You Get) interface.

An affordable, easy-to-use addition to Fender’s top-selling FM family, the new FM65DSP 65 Watt 1×12 Combo Amp features 16 quality amp models and 16 DSP effects per channel (including reverb, delay, chorus, tremolo, flanging, Vibratone and combinations).The heavy-duty 12″ Special Design speaker is housed in a closed-back cab, making this one of the fullest-sounding small combo amps available today. And the FM 65DSP provides lots of opportunity for sonic fun and experimentation! Includes two-button channel selection and effects on/off footswitch.Channel 1 is a normal channel providing Blackface tone with volume, treble, and bass controls. Channel 2 offers 16 DSP effects and 16 selectable amp models including classic Fender Tweed, Blackface , Hot Rod, & Metalhead ; British Stack and Combo; Jazz; and Acoustic-Electric simulator.